Essay
THE PINK HOUSE (Jan. 19 1995), curatorial project with Andreas Waris, Bad Reputation, Los Angeles, California | August-October 2018
THE PINK HOUSE (Jan. 19 1995) was a group exhibition with works by Daniel Buren, Hanne Darboven, Luciano Fabro, Ray Johnson, Chadwick Rantenan and Robert Watts. Supported generously by the Kim Klosterman and Michael Lowe Collection, and Bad Reputation:
Williamson Knight Gallery, Portland, Oregon | January 2017-2019
Williamson Knight Gallery was a curatorial project that sought to equitably give space to emerging women, artists of color, and queer artists, as well as to political activists. Williamson Knight Gallery was a collaboration between Iris Williamson and John Knight:
**in early 2019, the gallery rebranded as HOLDING Contemporary (www.holdingcontemporary.com), as a collaboration between Iris Williamson and Tiffany Harker.
Cherry and Lucic, Portland, Oregon | May 2015-December 2016
Cherry & Lucic was a curatorial project based out of a garage in Northeast Portland, Oregon that aimed to interrogate the qualifications for exhibiting contemporary art. Cherry & Lucic presented mid-career artists in order to return their works to an unstable site that was more consistent with their locations of production. Cherry and Lucic was a collaboration between Eleanor Ford, Kyle Raquipiso and John Knight:
H. Klum Fine Art, Portland, Oregon | August 2012-May 2013
H. Klum Fine Art was a project space located in a working-class housing complex in Portland, Oregon. The gallery sought to exhibit emerging artists in a site away from the gallery center of the city, while catering to a non-art audience. H. Klum Fine Art was a collaboration between Lydia Rosenberg and John Knight: